Monday, September 15, 2008

"Epic Adventures"
6:07am

We continue to immerse ourselves in movies, all sorts of movies. Watching all these many different films from all areas and types, Algerian/French(Daughter of Keltoum), then Chinese/French (Balsac and the Little Seamstress), then Henson/Gaimon/Dave somebody (Mirrormask), it is sure to be good for my development as an artist. This weekend, we watched Casablanca, a classic movie from the 1940's, and Things to Come, a sci-fi H.G. Wells story from the late thirties. The commonality between the two was the war at that time, impending in Wells story. I can get a feel of what was going on at that time, how people felt about it, in these movies.

Also, I enjoy the stories on their own terms. We made another find this weekend, and acquired Cleopatra, with Elizabeth Taylor. I'd long been wanting it, ever since Bob Brier, a respected Egyptologist, gave it the 'thumbs up' in his Great Courses lectures. We're halfway through it, breaking at the 'intermission' to go to bed.

It is lavish, it is wonderful. I agree with the DVD's outerwrap, "Breathtaking in scope and grandeur, the picture won Oscars for cinematography, art direction, costumes and special effects." Then it declares something odd, "In the tradition of epic romantic adventures like Braveheart and Titanic comes the greatest spectacle of all...Cleopatra.

Excuse me, but Cleopatra started the tradition, of which Braveheart and Titanic are following!

We have hope of another sweeping epic to come. I got wind via a Rottentomatoes link that more Egyptian history will be brought to life. Variety tells about it:

"Will Smith may next morph into a god.

"'Braveheart' scribe Randall Wallace will write 'The Last Pharaoh,' a Columbia drama crafted as a vehicle for Smith to play Taharqa, the pharaoh who battled Assyrian invaders in ancient Egypt.

"Smith, James Lassiter and Ken Stovitz will produce for Overbrook Entertainment.

"Smith, who has long wanted to play the pharaoh, brought Wallace the Taharqa story.

"The film will focus on his battles with Assyrian leader Esarhaddon starting in 677 B.C."

I do hope they don't ruin it with too many 'special effects' that seem artificial. So often I can tell the crowds and critters are just 'copy~n~paste'. I was quite impressed observing the massive crowds in Cleopatra, knowing they WEREN'T 'copy~n~paste', but each individual, live, breathing, unique real human beings.

Meanwhile, it is something to look forward to. Taharqa wasn't the LAST Pharoah, Wiki gives a pharoah list. Taharqa was from the 24th dynasty, and a Nubian. Actually, "Nectanebo II (ruled 360 - 343 BC), also known by the name Nakhthoreb, was the third and last king of the Thirtieth dynasty of Egypt and also the last native Egyptian ruler of the country in antiquity." After that came the Persian rulers and then later Alexander the Great.

Taharqa, however, was impressive in his own right. He rebuilt ..."the temple at Kawa, across the Nile from present-day Dongola, which became a major center for the Nubian kings. He built at a number of other sites in Nubia, and carried out numerous restoration and building projects at the temple of Amun at Karnak—especially the First Court of Amun there—as well as at Medinet Habu.[7] He was described by the ancient Greek historian Strabo as being counted among the greatest military tacticians of the ancient world.[8]" (via Wiki).

Tuesday, September 16, 2008

"Never Stop Questioning"
10:01pm

(I love that time, symmetrical...)

The science show explaining E=MC2:
("Einstein's Big Idea" weaves docudrama vignettes and expert commentary to chronicle advances in scientific knowledge that led to his relativity theory---"the fantastic connection between energy, matter and light," says narrator John Lithgow.")

And so the perceived difference between energy and mass is shown to be but an illusion of our perception.

I couldn't help but think: "These atoms, Atum? Those hidden things, Amun, the hidden, all these hidden forces of creation, these things not apparent to our eyes...."

I'm certain this movie, which Julia was so eager to see, will influence me in all kinds of ways, in addition to knowing what Einstein's formula was and how the atoms split made the bomb, but also the force of the explosion in initial creation that made the worlds, and Shiva/Set is all there in it...

...and we are co-creators, in this, ka hands to the science ready, ready to enable some great discovery. Julia was saying she feels it too, some great synthesis in understanding is about to burst forth, we sense the rumblings of it, some scientist may be shouting 'eureka' even now, the thrill of discovery all upon him (or her!)

As I anticipate in some parallel way new artistic epiphanies, Einstein tells me I am not so far from that scientist:

Einstein declares, "After a certain high level of technical skill is achieved, science and art tend to coalesce in esthetics, plasticity, and form. The greatest scientists are always artists as well."

The movie producer agrees:

BIRDS OF A FEATHER
"Awhile ago I made a film about the groundbreaking painter, and when I took the E = mc2 project on, I was instantly struck with the notion that Einstein was just as creative as Pablo Picasso. The great scientist was also just as bohemian in his lifestyle as the great artist. He was equally promiscuous, poetic, and playful. Above all, the two shared an indomitable self-determination. To both men, their personal project, their journey of discovery was the most important aspect of their lives.

"The more I read about the other scientists in E = mc2, the more I realized they were all united by this quality of character. The greats of history are those who are utterly committed to going beyond the bounds of what already exists in their field. It is an obsession to know, to see, to feel the unknowable. Along the way, these singular individuals all have moments of incredible creativity, moments when the world they are immersed in suddenly shifts in front of their eyes. A crack opens up, and how we all conceive of the world changes irrevocably."

As I looked at the photo of Einstein in this article, I felt in the mood to draw:

"The important thing is not to stop questioning. Curiousity has its own reason for existing. One cannot help but be in awe when he contemplates the mysteries of eternity, of life, of the marvelous structure of reality. It is enough if one tries merely to comprehend a little of this mystery every day." —Albert Einstein

The strange balls are referring to the small brass spheres in the movie. "If a small brass sphere was sent down twice as fast as before, it pushed four times as far into the clay. It if was flung down three times as fast, it sank nine times as far into the clay."

Wednesday, September 17, 2008

"Ack!"
6:48pm

Seeking something that would inspire a drawing, I went to Google's collection of news items. The headlines are awful:

Battered financial markets nervously await what’s next
Ike's US toll climbs to 55 with 6 deaths in Texas
What’s in the House offshore-drilling bill?
Chinese milk crisis: NZ part-owner decries 'abomination'
Polar ice loss heralds a change in the weather

Sigh! So I went to Flicker, hunting all over, hopping from 'pool' to 'pool'. Eventually I found a perfect face for today and got sketching:


ACK!!!

Friday, September 19, 2008

"No Closer!"
9:27pm

The Friday Illo theme this week is 'clique'. After reading the dictionary definition of 'clique', I let that simmer in the back of my brain while I sought for any sort of drawing inspiration:
"a narrow exclusive circle or group of persons ; especially : one held together by common interests, views, or purposes"


"No Closer!"

How narrow and exclusive can it be? A clique of one, of course, or however many voices populate this one man's head. Whatever, he's not wanting anyone else to enter his exclusive circle.

Interestingly enough, another source declares:
"A narrow circle of persons associated by common interests or for the accomplishment of a common purpose; -- generally used in a bad sense."

But need the 'narrow circle' be in a 'bad sense'? Doesn't the soul have the right "to select her own society" like Dickinson?

I get the sense this man will break down his guard and "Choose one" to whom he will reveal his innermost self. When he's good and ready.

Saturday, September 20, 2008

"Work Rewarded"
11:12am

I have taken a good suggestion and assembled a resource page for Egyptology. I took the suggestion list of resource types and went through my research page on Set and took note of every resource I'd used. Then I tried to think of other useful authors and sites. I'm sure the page will grow. It will be helpful to have the most used sites all on one page so I don't have to google for them each time. (Should you know of useful sites and authors that aren't there, please do email me with their URLs and names. Thanks!)

While hunting museums, I discovered another Set sighting, using 'Seth' as key search word:


Photo ©NCG:
Ny Carlsberg Glyptotek ĆIN 726, Acquired 1890
Type of work: Stela, Limestone, H. 22 cm.
Period: New Kingdom, 18th-20th Dynasty (1550-1080 B.C.) most likely range 1305 BC.-1196 BC.

He is winged, as he is in the temple of Amun at Hibis:


"Relief from the temple of Amon at Hibis in the Khargas oasis. According to
the text, the falcon-god attacking the snake is Seth")TeVelde, _Seth, God of Confusion_

I have somewhere a color version of that relief. I will experience some 'relief' when I find it. ;)

Note at 5:19pm
I have located it! It is at a French site. The wear and tear is different so there are likely two versions of this (or perhaps the two large holes were repaired?):


© Alain Guilleux

Sunday, September 21, 2008 A

"Unedited"
2:59pm

There's a fun meme travelling the web, which I saw at Bandraoi:

Take a picture of yourself right now.
Don't change your clothes, don't fix your hair... Just take a picture.
Post that picture with NO editing.
Post these instructions with your picture.


Only 'edit' was sizing from 2048x1546 to 667x500

There I am with 'hat hair'(having just got back from shopping) and a pile of books in the background. Underneath the white sheet of paper, there is Budge's two volume dictionary, Wilkinson's _Reading Egyptian Art_, Ritner's _The Mechanics of Ancient Egyptian Magical Practical_, and two more books on ancient Egypt!

My red 'Enthroned Set' is in the background, below the round plate. He's facing to the left, though.

Speaking again of shopping, we did a bunch this weekend. Julia was wanting an ottoman so she could put her feet up, and we found one high enough and narrow enough one to fit our tiny apartment. It's pale tan, so she put a towel over it to help keep it clean.


Only 'edit' was sizing from 2048x1546 to 819x614
The blue denim thing is the skirt I wore last Friday, and that's Anubis in the background

Also, I can't remember when we last bought sheets, it doesn't seem like it was that long ago. A websearch of our websites pulls up nothing. But I know it was only within the last five years. Yet the darn thing developed a tear, which got larger and larger each night. So I picked the highest thread count they had, in hopes of greater durability. I'd grabbed a chocolate brown, like the old ones, but Julia suggested a dark red, so red is what we got. As they were on sale, I also got a nice king size fleece blanket, it too a vivid dark ruby red. And it was time to throw out the crackly bath mat. Its rubber backing was deteriorating. This time, no rubber, but nice and thick so it can be washed when it gets nasty.

Perhaps it is not yet the time for fall flannel nightgowns to appear. We went to both Mervins and Sears and didn't see any. But Julia did see a heel scraper 'egg'. Perhaps with smoother heels, she'll do less damage to the sheets?

Sunday, September 21, 2008 B

"Notis Notes"
7:31pm

I ride on each note, carried by the magic of his voice...


Notis Sfakianakis' _Evesthites Notes_


...and I am a child at play, at once a child, a woman, ageless...

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